Review: Summadayze 2012
My Review of Summadayze which was published in Inpress magazine this year.
SUMMADAYZE 2012
SIDNEY MYER MUSIC BOWL
Summadayze has a reputation as one of the key mainstream music festivals of the summer, but the festival landscape is becoming more competitive. Embarrassing delays of headline acts aside, the promoters have all the bases covered: the location, lineup, stages, sound, sunshine and singlets – all check. But is ticking all the music-festival boxes still enough to be that one, choice, must-attend summer event?
Acts such as Pendulum, Calvin Harris, Snoop Dog, Scissor Sisters and Moby will draw a crowd, but the line-up choices just seem a bit ‘safe’. Including a couple of dubstep and progressive electro acts, 12th Planet and Tiga, seems like a no-brainer given the growing popularity of these genres of late, but the sparse audience attendance at these sets suggests otherwise.
Looking forward to getting our serious dubstep swagger on, it’s disappointing to rock up for 12th Planet and be greeted by what could only be called a ‘casual gathering’ of fans – there’s literally enough room to swing a cat. That’s not to say the set isn’t polished, far from it. Fans of the LA-based DJ find their dirty bass-drop senses tingling with delight and the tight audio engineering is noticeably impressive for a live set. So what gives? We can only turn to the disparity between the promoter’s perception of dubstep’s apparent popularity explosion and the reality that it is still yet to really take off in Australia. This experience calls to mind watching the Boiler Room crowd at last year’s Big Day Out as they looked around in confusion whenever a dubstep track was dropped: “How do I dance to this?”
The turnout at Tiga is much more respectable. His upbeat, electro style appeals to those punters wanting more of a dance-party vibe to keep the night kicking on. Tiga’s set is intelligently crafted, appealing to the more observant listeners whose focus is rewarded with stealthy drops of some classic ‘90s remixes. Ignoring the expectedly packed Main Stage, Tiga is where the party’s at.
The night is set to climax with Pendulum – the illustrious, yet elusive, headline act. After staring at an empty stage for 30 minutes or so, shuffling to the front and filling the gaps left by a few impatient bailers, expectations are high. Pendulum deliver everything you would expect from one of their standalone shows. Rob Swire’s delightfully cheesy improvisations on the keys are honestly a highlight. The act have truly evolved from a progressive drum’n’bass trio into a modern-day rock band pumping out epic tunes and ripping crowd member’s faces off with little effort. However, the toll of the band’s 24-month tour can be felt lurking under the surface. The setlist is pretty standard (bordering on predictable) with hits from their latest LP interspersed with drops of live favourites such as ABC News Theme, Blood Sugar and The Prodigy’s Voodoo People.
This is definitely a thoroughly entertaining finale to quench the thirst of those who stayed all day to see what they came to see. But we are left with a feeling of déjà vu after seeing Pendulum at Festival Hall in November of 2010. Almost nothing has changed in over a year and we were expecting a lot more. The set felt a little too much like ‘colour by numbers’ (or should that be ‘Watercolour by numbers’?). Here’s hoping the group’s upcoming break from touring restores some of that creative energy. And in the meantime, sit glued to Twitter waiting to see what Swire and Gareth McGrillen’s side-project, Knife Party, have to offer.
